Five-time Emmy nominated Editor Cindy Mollo, ACE talks with Filmmaker U about her work on "Book of Eli," "Mad Men," "House of Cards," and the hit Netflix show "Ozark"! 

Cindy Mollo, ACE, began her career editing the critically acclaimed dramas "Homicide: Life on the Street," and "Oz" for producers Barry Levinson and Tom Fontana. She was nominated for an American Cinema Editors Eddie Award for her work on an episode of...

Kelley Dixon, ACE, the Emmy-winning Editor for the ground-breaking hit show "Breaking Bad" recently caught up with Filmmaker U to discuss her recent work, editing during the pandemic, and of course her acclaimed work on the hits "Breaking Bad" and "Better Call Saul."

Kelley Dixon, ACE got her start in post-production in multiple capacities in the editing room on the features "Reservoir Dogs" and "Good Will Hunting" as well as...

One of the best ways to become a film editor is the traditional route of working your way up through the assistant ranks. Roles as an assistant under the tutelage of a master editor are highly coveted, so what are the editors who have achieved success looking for in young assistants? Brian Kates, ACE, Emmy award-winning editor for Marvelous Mrs. Maisel, took a break from shooting his masters class with us to reveal what he...

Becoming the best editor requires work, knowledge of your tools, experience dealing with others, and hours upon hours of editing. It also requires knowledge of film history, techniques, and tricks, and necessitates having a cinephile knowledge of films. Brian Kates, ACE, Emmy award-winning editor for The Marvelous Mrs. Maisel and go-to editor for renowned filmmaker John Cameron Mitchell sat down with us during a break in...