Production design is often the invisible architecture of a film — the emotional scaffolding that holds the story in place. In the Filmmaker U interview with Ruta Kiskyte, production designer behind Sing Sing, we’re reminded that every wall color, every aging surface, every carefully chosen prop carries narrative weight.
As she puts it:
“Design isn’t decoration — it’s storytelling before the camera rolls.”
That philosophy is at the heart of...
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